Research and teaching:



◘ Music Faculty. San Francisco Conservatory of Music (Pre-College Program). 2019 - Present. Musicianship, Music Theory & Composition.




◘ Faculty Member. Music Department, San Jose City College. 2018 - Present. Applied Performance & Piano Lab.




◘ Adjunct Lecturer. School of Music & Dance, San Jose State University. 2017 - 2019. Music Systems I, II & III, Orchestration Seminar & Music Technology.




◘ Adjunct Lecturer at the Center for Computer Assisted Research in the Humanities (CCARH). Department of Music, Stanford University. 2017. Music Informatics.




◘ Adjunct Professor in Music Theory. International University of La Rioja, Spain | 2015 - 2019.




◘ Assistant Professor of Composition, Music Technology, Informatics and Electroacoustic Composition. Superior Conservatory of Castile and Leon, Spain | 2014 - 2016.




◘ 'Expressive Quantization of Complex Rhythmic Structures for Automatic Music Transcription' paper selected at the First International Conference on Technologies for Music Notation and Representation TENOR 2015, Paris-Sorbonne University - IRCAM | 2015.




◘ Visiting Composer/Professor. Escola Superior de Música de Catalunya (ESMUC). Barcelona, Spain | 2014.




◘ Lecturer: Music 124 Computer Assisted Music Composition using the LISP-based Visual Programming Language PWGL. Center for Computer Research in Music and Acoustics (CCRMA), Stanford University | 2012.




◘ Lecturer: Music 123 Undergraduate Seminar in Composition. Music Department, Stanford University | 2012.




◘ 'Xa-lan': Algorithmic Generation of Expressive Music Scores Based on Signal Analysis and Graphical Transformations. Paper presented at the International Workshop on Musical Metacreation (Eighth AAAI Conference on Artificial Intelligence 2012).




◘ Numeric-Code Transcriptor of Complex Rhythmic Structures: LISP-Code and explanations of its format.




◘ Lisp Additive Synthesis Tool (LAST). A full LISP implementation for independent parametric control of instrument(envelope)/score. Output files are formatted as SPEAR data: LISP-Code.




◘ Multi-Nesting Quantizer. Here a snapshot of the algorithm using the LISP-based visual programming language PWGL. This quantizer is a recursive version of a one-level quantizer model after Craig Sapp.




◘ Lecturer: Music 2SI Introduction to Computer Assisted Composition Using Lisp Software. Center for Computer Research in Music and Acoustics (CCRMA), Stanford University | 2010.




◘ Monophonic Pitch-Track Algorithm. Input expects SPEAR files: LISP-Code.




◘ XML Dynamic Shapes. This algorithm is calibrated to do automatic output of expressive shapes as those manually done with the SMART-SHAPE-TOOL/LINE-TOOL by FINALE Make Music: LISP-Code.




◘ Nyquist Plug-Ins for digital sound editing in Audacity.




◘ Harmonic Generation using 'Harmonicity' Weightings after composer Clarence Barlow. Here some brief descriptions of the algorithm.




◘ Atonal Melodic Expectation Algorithm after musicolgist Elizabeth Hellmuth Margulis: LISP-Code and brief description of the algorithm.




◘ Tonal-Key Finder (Pearson Correlation Algorithm): LISP-Code.




◘ Dissonance-Curve Algorithm relating Spectrum to Scale after William A. Sethares. To get my LISP version of the algorithm, visit the website of the book Tuning Timbre Spectrum Scale. Here a snapshot of the same algorithm using the LISP-based visual programming language PWGL.




◘ Microtonal Transposition routines for SCORE files: LISP-Code. To work with the previous code this PMX-SCORE Parser is needed: LISP-Code.




◘ One-level Rhythmic Quantizer: LISP-Code.




◘ One-Dimensional Cellular Automaton: LISP-Code.




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